PAUL MARTIN Photo by Warburton Gallery
PAUL MARTIN (b. Bournemouth, 1948 - 2022) began his studies in the late 1960's at Birmingham School of Art, a college dominated by Abstract Expressionism, before moving to the Royal Academy whose more traditional methods focused largely on life-drawing. Neither approach proved entirely congenial, but Paul described those years as ones of 'productive disagreement'.
Martin's own artistic practice was always firmly rooted in nature, but nature seen as a metaphor, never the end but always only the start of the journey. Something similar might be said of his use of the human figure: his figures are tangible yet otherworldly. They exist in the here and now, but also somewhere else, in memory perhaps, or in death. Their eyes engage directly with the viewer, a gaze not challenging, but steady and serene and seeking communion. Their hands make mysterious but meaningful gestures, inviting us into their realm, a realm of eutaxic harmony beyond the surface dazzle of the phenomenal world. Myth and folklore have been another source of inspiration for Martin, as indeed has language itself: all three are cultural constructs created over countless centuries, and in all three the process of their becoming is inscribed in their current form.
Paul Martin exhibited widely both at home and abroad, and has work in the collections of The Royal Academy, The British Museum and the BBC. Over the course of his career he garnered many awards including The British Institution prize for Printmaking and The Royal Academy Awards for Painting and Printmaking.
This website shows both past work as well as later developments in Martin’s thought and art. The works are not philosophical treaties about life and art, but were offered as a guide to looking afresh at the world in which we live and at that which surrounds us.
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COLLECTIONS
British Museum Collection of Modern Drawings
Chancery Bequest, Royal Academy of Art
British Broadcasting Corporation, London
Corporate Mining Company, Perth, Australia
De Weem Collection, The Netherlands
The Cok Collection, Amsterdam, The Netherlands
Altarpiece, St Luke’s Church, London
Ikons, Church of the Ascension, Rugby
Lynda Todd Collection, Bournemouth
Art in Healthcare, Scotland
The Royal Bank of Scotland
PRIZES AND BURSARIES
British Institution Prize for Printmaking
David Murray Scholarship for Landscape
Hacker Prize for Printmaking
Royal Academy Award for Printmaking
RA Award for Academic Drawing and Painting
Elizabeth Greenshield Foundation Award
EXHIBITIONS
1969 Northern Young Contemporaries Exhibition
1971 - 1973 Royal Academy Summer Exhibitions
1972 National Touring Exhibition, Arts Council
1975 Free University Amsterdam
1976 - 1977 Radlett Gallery, Hertfordshire
1978 - 1984 Aix-en-Provence, France
1984 - 1986 William Curtis Gallery, Perth, Australia
1987 Mandorla Prize Exhibition, Australia
1990 - 1996 Rugby School, Warwickshire
1991 De Weem Gallery, Westeremden, The Netherlands
1992 - 1995 Burton Dassett, Warwickshire
1994 Wellcome Trust, London
1998 Evreux, France
1998 Art Revisited, Groningen, The Netherlands
1998 Longland and Ryle Gallery, London
1999 Art Revisited, Groningen, The Netherlands
1999 St Luke's Church, Highgate, London
2001 Bourne Fine Art, Edinburgh
2002 Bourne Fine Art, Edinburgh
2003 Flying Colours Gallery, Edinburgh
2004 Northlight Gallery, Huddersfield
2005 Bourne Fine Art, Edinburgh
2006 Flying Colours Gallery, London
2008 Bourne Fine Art, Edinburgh
2009 The Henderson Gallery, Edinburgh
2011 New College, University of Edinburgh
2014 Dovecot Studios, Edinburgh
2014 Warburton Gallery, Edinburgh
2014 King Street Gallery on William, Sydney, Australia
2015 Warburton Gallery, Edinburgh
2018 Doubtfire Gallery, Edinburgh
2019 Aberfeldy Watermill Gallery, Perthshire